face down, onto the floor
this creates an abstraction:
where once was unreachable
behind
is now apparent,
as in a photographers imagination,
and a pool of black bile will form on the floor
empty houses are filled with sculpture:
scraped into the cracks and holes of rented occupance
stresses and then places
where pictures would have hung
a bannister
the width of a leg
is unscrewed and carried upstairs
with no space to balance, as on tightrope
laid diagonally across an old sheet
in the middle of the bedroom floor;
deletion becomes
felled purpose again
magnolia
anaglypta
tea-stain parchment or
builders tongue
handles
unscrewed laid glinting
in jagged rows
on summer sills
we strip a house to its cave
and still there is all this
wallpaper scraped away
revealing the plasterer
and his mates
proud
and less proud
signature
accompanying a drawing
of a woman spread eagled
and a cartoon shit
dali's universe in reverse
doors are mobile
there's always a line of brick dust above them
you'd be surprised how often
a builder leaves the sun
in the cavity between walls:
in this house
there was a sleeping one
gifted on a barrow of rubble
cutting in dimensions
between boxes of skin
with wallpaper guns
sloshed on scrolls
slit by a fold and
ivory handled knife
the conversation
between father, his work mate and son:
father often farts
and will impart wisdom
only to declaim
nervous justification
over a job
nearly well done
the work mate often burps
and takes pleasure in distending these expressions
of the loss of wind
there isn't much else to say
except rhetorical prompts
to the same end
though
occasionally love is proffered
in a cold chip, or compliment
gestures outweighed
by hours of silence
and speechless boredom
kitchen Fanta
10am
r n b in do it all
the decorator dreams
of wiring streets
so downstairs switches
upstairs on
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